I am a visual artist working in painting and ceramics with materials gathered directly from the natural world. My practice centers on the use of wild foraged clay and pigments derived from botanical sources—such as acorn dye—positioning the landscape as both source and collaborator. Through slow, process-driven methods, I explore how materials hold memory, place, and the imprint of human touch.

Trained initially as a fiber artist, I earned a BFA from the Maryland Institute College of Art and completed additional studies in painting and drawing at Parsons School of Design. My early career in costume design and visual storytelling cultivated a deep sensitivity to material behavior, embodiment, and the relationship between objects and living bodies—sensibilities that continue to shape my studio practice.

My work is informed by cycles of gathering, preparation, making, and return. Clay is dug, processed, and shaped by hand; pigments are extracted, cooked, and layered, allowing color and form to emerge through time rather than control. These methods resist permanence and perfection, emphasizing care, use, and ecological awareness.

Alongside my studio work, I have long been engaged in creating spaces of hospitality and community, an ethos that quietly underpins my artistic approach. My paintings and ceramic forms function as vessels—holding trace, presence, and nourishment—inviting viewers to slow down and attend to the material intelligence of the natural world.

I live and work in, and am in love with, California.